Halloween, fear, and what children learn from being briefly frightened.
October arriving
Three weeks before Halloween and someone has already put plastic skulls in the window of the corner shop. My daughter noticed them on the way to school and said, without breaking stride: 'Those are the bad ones.' I asked what made them bad. She said: 'They look fake. Fake scary is worse than real scary because it doesn't let you practise.'
I had to think about this for a moment. She's twelve, and she says things like this sometimes — observations that sound casual but have a complete philosophy inside them.
Fake scary is worse than real scary because it doesn't let you practise.
She's right, I think, in a way that the psychology of fear backs up. Fear is an emotion with a function: it prepares the body for threat response. When fear is triggered and the threat is real, the response serves a purpose — it mobilises resources, sharpens attention, produces a decision about what to do. When fear is triggered and the threat is fake, the response still fires, but without a resolution. The system activates and then has nowhere to go.
This is why jump scares in bad horror films feel cheap. The system fires. Nothing happens. It's like a car alarm triggered by a gust of wind.
Good fear — useful fear, her 'real scary' — is different. Real fear has an object, a location, a specific quality. It can be investigated. It can be sat with. It can be talked about. And in being investigated, sat with, and talked about, it loses some of its intensity and gains a kind of usefulness: it becomes information about the self.
Materials, steps, what to notice — the hands-on part that makes the edition usable at home with your children this week.
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